Stephen Zelnick moves from Oliver Goldsmith’s exuberant comic theatre to the fierce, changing poetic voice of Alfonsina Storni and the restless, formally inventive verse of Thomas Hardy. With wit, close reading and a keen ear for language and performance, these essays place each writer within the pressures of their time — love and marriage, social convention, gender, faith, war and mortality — while exploring how voice, form and imagination transform lived experience into enduring art.
Three writers from the early years of The Linnet’s Wings approach love, art and companionship from very different directions. Nonnie Augustine imagines a shared life made beautiful by time and mutual care; Russell Bittner turns the coming of dawn into an intricate, passionate argument for desire; and Martin Heavisides celebrates the unruly theatrical imagination of Peter Barnes. Together, the pieces retain the warmth, wit and willingness to take risks that helped shape the magazine’s beginnings.
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Across five exuberant sonnets, Russell Bittner turns the coming of dawn into an elaborate argument for desire. Doves, stars, moon, sun and hill are recruited into a witty, formally playful courtship in which arithmetic, prudence and passing time are repeatedly challenged by the sheer appetite to love, risk and delight.. |
Martin Heavisides makes an impassioned case for Peter Barnes as one of the great, insufficiently recognised comic dramatists of the modern stage. Moving through The Ruling Class, Laughter!, Red Noses, Dreaming and Barnes’s shorter works, he celebrates a theatre of extravagant invention in which comedy confronts cruelty, hierarchy, death and received wisdom without surrendering its delight in human possibility. |
“In Time” by Nonnie Augustine imagines a shared future built not from perfection, but from beauty, wear and mutual care. From a rain-sheltered café in Montmartre, the speaker looks ahead to chipped porcelain, faded carpets, Mozart in an ageing car and two lives learning to steady one another. Tender and quietly assured, the poem finds enduring love in the graceful acceptance of time. |
These poems move through memory, love, grief and the lingering presence of the past. Tom Sheehan finds a mother’s labour and affection still held in the worn surface of an old dough board, while Kristine Jensen traces the damage of an angry thought and the longing to recover what has been lost. Iain C. Smith’s Mates reflects on friendship, sudden death and the preciousness of the time still granted to us, and Pipedream returns through storm, smoke and remembered domestic detail to childhood, family tensions and an earlier world. Together, the poems show how ordinary objects, gestures and moments can carry whole lives within them.
These three pieces explore creativity, interpretation and the unpredictable places from which stories emerge. In the opening reflection, an ordinary encounter between a cat and mouse becomes the starting point for poetry and an experiment with artificial intelligence, showing how a writer can remain the imaginative director while using new tools to examine movement, structure and technique. Stephen Zelnick’s Chekhov’s Dark Comedy revisits The Seagull as a work of irony and restraint rather than conventional melodrama, considering Chekhov’s refusal to judge his characters or force life into easy conclusions. Joe Giordano’s The Mandylion shifts into suspense, where art expertise, family loyalties and an alluring figure from the past draw Anthony Provati toward a potentially dangerous million-dollar proposition. Together, the pieces consider how observation becomes art, how interpretation changes what we see, and how curiosity can lead us into territory we never expected to enter.
Paul Hostovsky’s poems “Aubade” and “Romantic” bring wit, warmth and a wry eye to everyday experience: one turns sunrise into a comic drama of exuberance and indifference, while the other follows the irresistible pull of poetry, beauty and romantic impulse. Paired with a selection of original artwork from The Linnet’s Wings’ 2013 archive, the display brings together poetry and image in a lively celebration of imagination, observation and the small moments that unsettle ordinary life.
These four poems move through imagination, memory, childhood and transformation, each finding something luminous beneath the surface of ordinary experience. From the sea-bound fellowship of *The Melody and the Song*, through Evie Robillard’s tender glimpses of children growing toward an unknowable future, to Maria Isakova Bennett’s richly tactile meditation on pigment, art and the body, the poems are linked by a sense of passage. Seasons turn, children change, journeys continue, and colour, story and human connection become ways of carrying experience forward.
These three stories move through dream, memory, and family inheritance, each finding strangeness inside the ordinary. David G. Schwartz’s playful surrealism follows animal wisdom and dream logic into a world of ravens, dogs, dawns, berries, parachutes, and elephants. Beside it, Biswas writes a quiet magical-realist piece that returns a woman to the living power of books and stories, and Bill Frank Robinson’s “Grandma’s Story” roots the gathering in oral family history, where circus roads, prizefighting, early cars, love, loss, and rough humour become part of the Archie family chronicle. Together, the pieces celebrate storytelling as wonder, recovery, and remembrance.
Three works confront the pressures that silence people: guilt and the search for redemption, the double-edged longing for flight and freedom, and the struggle for safety and dignity in the face of hostility. Harris, Walters and Taillefer turn fear, vulnerability and human experience into voices that insist on being heard.
A summer gathering of fiction and essay from Dan MacIsaac, Adam Kluger, and Stephen Zelnick: three pieces that move through story, character, comic unease, and literary discovery, ending with the music and force of Rubén Darío’s New World imagination.
Two sharply different stories explore the uneasy claims of the past. In Margrét Helgadóttir’s The Pact, Tuva returns to her family’s abandoned tivoli in a remote mountain clearing and discovers that an old bargain with the mysterious grey people is more than folklore. Alex Braverman’s Mozart and I moves through musical parody, dark comedy and Holocaust-shadowed family memory to examine fathers and sons, artistic inheritance, expectation, and the impossible demand that art should answer history.
Four poems explore the ways ordinary things hold what time threatens to take from us. Kathleen Cassen Mickelson finds inheritance, unease and tenderness in a first attempt at preserving summer, then turns to a snowy Minnesota morning where moonlight, crows, an old dog and a loved one make the everyday feel like prayer. James Graham writes from the harder country of bereavement: confronting the blunt material fact of ash before poetry can return, and later discovering that memory can quietly repopulate an empty house with a familiar voice, a glance and a consoling ghost.
As soon as the coin
in the coffer rings,
a soul from
purgatory springs.

Step into a spellbinding All Hallows' Eve where music transcends the living and the dead. Requiem to the Forgotten is an enchanting tale of spectral orchestras, legendary composers, and the undeniable power of melody. From Liszt’s haunting sonnet to Freddie Mercury’s dazzling entrance, the stage is set for a concert unlike any other—complete with witches on bicycles, a poetic tribute to lost souls, and a surprise appearance by Death itself.
Mari Fitzpatrick's richly imagined story blends humor, reverence, and a touch of the supernatural, inviting listeners to reflect on the timeless connection between art and the human spirit. Whether you’re a fan of classical music, theatrical storytelling, or eerie yet heartwarming tales, this podcast will leave you spellbound.
Tune in to experience an unforgettable night where the echoes of the past resonate with the living.
A long-dead frontier woman continues to watch over the family, her fierce history lingering in a portrait that unsettles the children.
Barry Charman’s Lock of Hair is a quiet, affecting poem about grief, memory and the small objects that hold the presence of someone lost, where a single lock of hair becomes an intimate reminder of love and absence.
Kathleen Cassen Mickelson’s How Winter Reduces Me reflects on ageing, an emptying home and the shrinking orbit of daily life, as snow, memory and an elderly dog sharpen the speaker’s longing for children, companionship and former vitality.
Margot Brown's It is a year today returns to Hardings Beach and a last picnic, where tide, gulls, memory and silence hold the shape of grief.
Joseph Sheridan Le Fanu’s “Memory” and Henry Wadsworth Longfellow’s “The Rainy Day” explore memory, grief, endurance and the quiet persistence of hope.
Sheehan’s Lily Pond remembers Saugus, Massachusetts through winter hockey, summer swims, vanished shorelines, old friends, childhood freedoms, and the enduring pull of a town carried forward in memory, loss, weather, work, love, and…